Jerry seinfeld bridget everett episode6/10/2023 It rarely feels like you’re experiencing “a performance” (even though, of course, you are). Yet I’m firmly Team Goldthwait in the matter, because when he talks, onstage and off, he has an almost uncanny ability to make you feel like you’re just listening to a friend tell a story. I do enjoy Goldthwait more as a storyteller than I did as an avant-garde stand-up comic. For what it’s worth, I think there’s some truth to what Seinfeld was saying. And then they Google my name and Jerry Seinfeld, and it just goes to clips of me talking about him banging teenage girls and being a Scientologist enthusiast.”Īs Nathan Rabin has pointed out, where you side on the Seinfeld/Goldthwait feud sort of comes down to whether you believe that a comedian’s “goal” is to be rich and successful, or to connect with people. “As soon as he, people were trying to figure out who he’s talking about. Evolving into more of a storyteller in the years since, he nonetheless says that there are good reasons for Seinfeld to drop the beef. Goldthwait reasons that he had mostly stopped celebrity bashing in his act, because he didn’t like the way it made him feel (not to mention Sylvester Stallone threatening to eat his heart). “It’s like, ‘hey, you know what the average Joe can relate to? You in a half million dollar car.’ That just tears my cock off. Maybe I should’ve reached out or something.”īut as long as we’re back on the subject… “You know that show where millionaires dissect comedy until it’s not funny anymore?” Goldthwait asks of Comedians In Cars. “But I thought it was over, because I was friendly with one of his managers. “I was very vicious, let’s not kid ourselves,” Goldthwait now says of his earlier Seinfeld bashing. Goldthwait had indeed ragged on Seinfeld in the nineties, so Seinfeld’s rant didn’t exactly come out of nowhere. That’s why he had to do that stupid f-ing voice. Goldthwait had directed Everett in Love You More and Misfits & Monsters, and Everett’s mere mention of him in front of Seinfeld prompted Seinfeld to muse, “He used to rail against comedians because they weren’t as wild and dangerous as he was. Turns out, Bobcat Goldthwait’s was the bleeped name in an episode of Seinfeld’s Netflix show, Comedians In Cars Getting Coffee, with guest Bridgett Everett. If instead maybe they just drove through bad weather and got into car crashes in between discussions about Robin Williams meeting Koko the Gorilla and hating Jerry Seinfeld. Partly it’s a live podcast, partly it’s a throwback to comedy duos that used to be so popular, and partly it’s the documentary answer to The Trip, if Steve Coogan and Rob Brydon didn’t eat fine food or do Michael Caine impressions. It all adds up to an enjoyable and breezy watch, at just over 70 minutes. This is intercut with footage of them on the road, and mixed with period footage from their early lives, early careers, and things they reference in the act. In Joy Ride, Goldthwait, comedian-turned-novelty-80s-actor-turned-filmmaker, and his friend, comedian and Simpsons writer Dana Gould, take the stage together, cracking jokes, telling stories, and riffing. “I don’t care how brilliant the comedian is, there’s a fatigue that sets in at about 40, 45 minutes,” says Bobcat Goldthwait, a comedian who frequently performs for longer than that. Is a full hour of filmed stand-up really the gold standard of comedic talent? Joy Ride is the perfect watch for those of us who enjoy comedy but are maybe a little disillusioned with “the stand-up special” as an artform.
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